![]() While The Last Poets and This Is Madness pre-dated the beginnings of hip hop, Gil Scott-Heron's 1974 album The Revolution Will Not Be Televised was released as the art form took its first breaths of South Bronx air. In To the Break of Dawn: A Freestyle on the Hip Hop Aesthetic (2007), William Jelani Cobb said of its significance in hip hop music: Village Voice critic Robert Christgau said the compilation abandons the homophobia that plagued Scott-Heron's 1970 debut Small Talk at 125th and Lenox in favor of songs that show artistic progress, including agitprop that sounds less arrogant but still committed and improved singing that reveals his compassion. Since then, The Revolution Will Not Be Televised has received positive reviews from publications such as The Washington Post and Los Angeles Daily News, which said "the roots of rap run deep through this superb retrospective". In a contemporary review, Ebony magazine's Phyl Garland called the album "mind-blowing" and said Scott-Heron "does not merely posture and pacify, but presses one to consider the uncomfortable truths of contemporary blackness." It peaked at number 21 on October 12 of that year after spending five weeks on the chart. The Revolution Will Not Be Televised was released in 1974 and charted on Billboard 's Top Jazz Albums. Release and reception Professional ratings Review scores The music compiled incorporates funk, jazz, and proto-rap styles. The album features recordings previously featured on Scott-Heron's first three records for Flying Dutchman- Small Talk at 125th and Lenox (1970), Pieces of a Man (1971), and Free Will (1972), which were produced by jazz producer Bob Thiele. It was released in 1974 by Flying Dutchman Records and titled after Scott-Heron's 1971 song of the same name. The Revolution Will Not Be Televised is a compilation album by American poet Gil Scott-Heron.
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